A bienal de Xangai-2008 vale un potosí: Cidade, Poder e Circularidade Cultural
Translocalmotion is the theme of the Shanghai Biennial-2008. The People's square becomes the starting point for transfer and passage. From this place connections, interconnections and social, economical, cultural and emotional exchanges occur. It's about resuming a certain emotion in movem...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Portuguese |
| Published: |
Instituto de Ciências Humanas e Filosofia. Universidade Federal Fluminense
2009
|
| Subjects: | |
| Online Access: | https://dialnet.unirioja.es/servlet/oaiart?codigo=4017632 |
| Source: | Passagens, ISSN 1984-2503, Vol. 1, Nº. 1, 2009, pag. 1 |
| Tags: |
Add Tag
No Tags: Be the first to tag this record
|
| id |
dialnet-ar-18-ART0000500631
|
|---|---|
| record_format |
dialnet
|
| institution |
Dialnet
|
| collection |
Dialnet AR
|
| source |
Passagens, ISSN 1984-2503, Vol. 1, Nº. 1, 2009, pag. 1
|
| language |
Portuguese
|
| topic |
passagens
modernidade futuro passado metodologia indiciária método clínico RESUMEN pasajes modernidad futuro pasado metodología indiciaria método clínico passages modernity future past abductive (symptomatic) methodology clinical method |
| spellingShingle |
passagens
modernidade futuro passado metodologia indiciária método clínico RESUMEN pasajes modernidad futuro pasado metodología indiciaria método clínico passages modernity future past abductive (symptomatic) methodology clinical method Cerqueira Filho, Gisálio A bienal de Xangai-2008 vale un potosí: Cidade, Poder e Circularidade Cultural |
| description |
Translocalmotion is the theme of the Shanghai Biennial-2008. The People's
square becomes the starting point for transfer and passage. From this place
connections, interconnections and social, economical, cultural and emotional
exchanges occur. It's about resuming a certain emotion in movement (emotion in
motion), more appropriately described as e-motion in motion, where technological
network mechanisms play a key role. We want to reapproach distinct historical
times: yesterday's Potosi, which still reverberates in today's Evo Morale's Bolivia,
interrogating as to the future of a mixed society and Shanghai Biennial-2008,
China, under the symbol of translocalmotion, talking about the past-future of
Hutong's apples and the birds in ordinary bamboo cages.
|
| format |
Article
|
| author |
Cerqueira Filho, Gisálio
|
| author_facet |
Cerqueira Filho, Gisálio
|
| author_sort |
Cerqueira Filho, Gisálio
|
| title |
A bienal de Xangai-2008 vale un potosí: Cidade, Poder e Circularidade Cultural
|
| title_short |
A bienal de Xangai-2008 vale un potosí: Cidade, Poder e Circularidade Cultural
|
| title_full |
A bienal de Xangai-2008 vale un potosí: Cidade, Poder e Circularidade Cultural
|
| title_fullStr |
A bienal de Xangai-2008 vale un potosí: Cidade, Poder e Circularidade Cultural
|
| title_full_unstemmed |
A bienal de Xangai-2008 vale un potosí: Cidade, Poder e Circularidade Cultural
|
| title_sort |
bienal de xangai-2008 vale un potosí: cidade, poder e circularidade cultural
|
| publisher |
Instituto de Ciências Humanas e Filosofia. Universidade Federal Fluminense
|
| publishDate |
2009
|
| url |
https://dialnet.unirioja.es/servlet/oaiart?codigo=4017632
|
| _version_ |
1727129361210933248
|
| spelling |
dialnet-ar-18-ART00005006312022-03-11A bienal de Xangai-2008 vale un potosí: Cidade, Poder e Circularidade CulturalCerqueira Filho, Gisáliopassagensmodernidadefuturo passadometodologia indiciáriamétodo clínicoRESUMENpasajesmodernidadfuturo pasadometodología indiciariamétodo clínicopassagesmodernityfuture pastabductive (symptomatic) methodologyclinical methodTranslocalmotion is the theme of the Shanghai Biennial-2008. The People's square becomes the starting point for transfer and passage. From this place connections, interconnections and social, economical, cultural and emotional exchanges occur. It's about resuming a certain emotion in movement (emotion in motion), more appropriately described as e-motion in motion, where technological network mechanisms play a key role. We want to reapproach distinct historical times: yesterday's Potosi, which still reverberates in today's Evo Morale's Bolivia, interrogating as to the future of a mixed society and Shanghai Biennial-2008, China, under the symbol of translocalmotion, talking about the past-future of Hutong's apples and the birds in ordinary bamboo cages.Translocalmotion é o tema da Bienal de Xangai-2008. A Praça do Povo é tomada como ponto zero de transferência e passagem. A partir deste local realizam-se conexões, interconexões, encontros e trocas sociais, econômicas, culturais, afetivas. Trata-se da retomada de uma certa emoção em movimento (emotion in motion) mais adequadamente escrita como e.motion in motion onde os mecanismos tecnológicos em rede jogam um papel fundamental. Queremos aproximar temporalidades históricas distintas: a Potosi de ontem que ecoa ainda na Bolívia de Evo Morales de hoje, interrogando o futuro de uma sociedade miscigenada e a Bienal de Xangai-2008, China, que fala, sob o signo da translocalmotion, ao passado-futuro das maçãs de Hutong e dos pássaros nas prosaicas gaiolas de bambu.Translocalmotion es el tema de la Bienal de Xangai-2008. La Plaza del Pueblo es considerada como punto cero de transferencia y pasaje. Desde este local se realizan conexiones, interconexiones, citas y cambios sociales, económicos, culturales y afectivos. Se trata de la reanudación de una cierta emoción en movimiento (emotion in motion) más adecuadamente escrita como e.motion in motion donde los mecanismos tecnológicos en red poseen papel fundamental. Queremos acercar temporalidades históricas distintas: a Potosi de ayer que todavía resona en la Bolivia de Evo Morales de hoy, interrogando el futuro de una sociedad mestiza y la Bienal de Xangai-2008, China, que habla, bajo el signo de la translocalmotion, al pasado-futuro de las manzanas de Hutong y de los pájaros en las prosaicas jaulas de bambú.Instituto de Ciências Humanas e Filosofia. Universidade Federal Fluminense2009text (article)application/pdfhttps://dialnet.unirioja.es/servlet/oaiart?codigo=4017632(Revista) ISSN 1984-2503Passagens, ISSN 1984-2503, Vol. 1, Nº. 1, 2009, pag. 1porLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
|