Ciencia Política y cine, un modelo para armar. Los cuatrocientos golpes (1958) de François Truffaut, Pierrot el loco (1965) de Jean-Luc Godard. El cine en el contexto de la Ciencia Política
Historically, the film has not been an instrument or a system to analytically reflect about social sciences, and particularly about political science. Initially, social sciences thinkers went against considering fiction as alien to reality. The hegemonic presence of social sciences, specially the po...
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| Formatua: | Artikulua |
| Hizkuntza: | Gaztelania |
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2010
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| Sarrera elektronikoa: | https://dialnet.unirioja.es/servlet/oaiart?codigo=6750306 |
| Baliabidea: | Revista Ratio Juris, ISSN 1794-6638, null 5, Nº. 10 (Enero - Junio), 2010, pags. 99-105 |
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